The crisis spurred a watershed of child welfare reform. Teacher and boys caning chairs in the orphanage workshop. Interior scene from the Orphan Asylum of the City of Brooklyn, NY. Many others worked hardscrabble jobs as boot blacks, rag pickers, or match sellers to feed themselves and their families. The Civil War, slavery, and epidemics of cholera, smallpox, and typhus increased the number of children who depended on social welfare threefold. Its primacy as a port brought a corresponding swell of immigrants, whose fates worsened with society’s disdain and the era’s staggering economic ups and downs. By mid-century, New York had become the country’s largest, most densely populated city in the country. The Institute for Children, Poverty and Homelessness estimates that in the 1870s alone, twenty to thirty thousand, or twelve percent of all school age children, lived on the streets. Read on for more.At that time, the City had become home to a teeming population of abandoned, orphaned, or homeless children. While getting ready for the show, That Kid took NYLON behind the scenes. I might not be right now, but to myself personally, I'm f*cking huge.” “Obviously, you should always be humble and grateful and let people know how much they've truly done for you, and that's something I'm very big on, but you also have to have the mindset of ‘I'm a star and no one else can tell me otherwise.’ To me, I'm one of the biggest stars in the world. “You have to think you're a star, to be a star,” That Kid notes. Reflecting on the show over the phone a few days after, That Kid is ultimately grateful that he was able to bring eight of his closest collaborators, friends, and supporters onto the stage, and witness his fans singing the words to nearly all of his songs - a sight that he’s going to have to get used to. This show was the first time I didn't go on stage drunk!” “For the most part, when I'm backstage, I'm bad, honestly,” he says, laughing. The rest of his pre-show routine involved getting his beauty in check, courtesy of a lot of Fenty products, including his tried-and-true Fenty Diamond milk lipgloss - “I feel like I don't look like me without eyebrows, highlighter, and lip gloss,” he says - and finally taking the last few moments to fully relax, being careful to not get too wild. The 23-year-old song-maker recently realized that part of fulfilling the fantasy element of his flashy pop songs is also dressing the part, and he didn’t hold back on delivering his glossiest self for his headlining performance. To That Kid, Superstar, the 13-track album mining the excess of Y2K and flashy futurism of hyperpop, is more than just an opus to his future occupation, it’s a mindset. Following four years of song releases, a couple of EPs and mixtapes, collaborations with artists like Raveena Golden and Tama Gucci, and his own wayward hits - like his glittering 2020 rework of Soulja Boy’s “Kiss Me Through The Phone” - he’s finally arrived here: the release of his biggest project yet, and his biggest stage. The cult artist who kicked off his career on Soundcloud crafting sparkling, maximalist pop (and whose tantalizing voice can be heard on Slayyyter’s early-career hit “Dial Tone”) is finally seeing just how wide his digital reach stretches in real life. “I was convinced I was going to sell 10 tickets, and then when I saw as many people as I did, I was like, ‘Oh my gosh, there's a lot of people here to see me,’” he tells NYLON. 27, it was the sight of a packed, buzzing room to mark the release of his latest mixtape, Superstar, that made the night’s performance extra special. For online pop sensation That Kid, who made his rousing headlining stage debut at the Brooklyn venue Elsewhere on Sept. One of the biggest surprises an artist may experience when they play their first headlining show is finally coming face-to-face with their fans.
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